Director, Frank-Ratchye STUDIO for Creative Inquiry, Associate Professor of Art, School of Art
BioGolan Levin develops artifacts and events which explore supple new modes of reactive expression. His work focuses on the design of systems for the creation, manipulation and performance of simultaneous image and sound, as part of a more general inquiry into the formal language of interactivity, and of nonverbal communications protocols in cybernetic systems. Through performances, digital artifacts, and virtual environments, often created with a variety of collaborators, Levin applies creative twists to digital technologies that highlight our relationship with machines, make visible our ways of interacting with each other, and explore the intersection of abstract communication and interactivity. Levin has exhibited widely in Europe, America and Asia.
Levin's work combines equal measures of the whimsical, the provocative, and the sublime in a wide variety of online, installation and performance media. He is known for the conception and creation of Dialtones: A Telesymphony , a concert whose sounds are wholly performed through the carefully choreographed dialing and ringing of the audience's own mobile phones, and for interactive information visualizations like The Secret Lives of Numbers  and The Dumpster , which offer novel perspectives onto millions of online communications. Previously, Levin was granted an Award of Distinction in the Prix Ars Electronica for his Audiovisual Environment Suite  interactive software and its accompanying audiovisual performance, Scribble . Other projects from recent years include Re:MARK , Messa di Voce , and The Manual Input Sessions , developed in collaboration with Zachary Lieberman, and Scrapple  and Ursonography ; these performance and installation works use augmented-reality technologies to create multi-person, real-time visualizations of their participants' speech and gestures. Levin's current projects, such as Opto-Isolator  and Double-Taker (Snout) , employ interactive robotics and machine vision to explore the theme of gaze as a primary new mode for human-machine communication.