Eric Sloss / 412-268-5765 / firstname.lastname@example.org
CMU Receives Andy Warhol Foundation Grant To Research Contemporary
Artists Working at the Intersection of Art, Science and Technology
Andrea Grover, Curator of the Miller Gallery's "29 Chains to the Moon" Exhibit, To Conduct the Research
PITTSBURGH—Carnegie Mellon University's STUDIO for Creative Inquiry
and the Miller Gallery
at CMU have received a grant from the Andy Warhol Foundation for the Visual Arts to support a curatorial fellowship for Andrea Grover, who will research contemporary artists working at the intersection of art, science and technology.
Grover, founder and former director of Aurora Picture Show in Houston, Texas, has long been interested in artists who work across disciplines. She curated "29 Chains to the Moon: Artists' Schemes for a Fantastic Future," an exhibition at CMU's Miller Gallery that highlighted the visions of artists, scientists and designers imagining life in our present and future world.
Her residency is co-hosted by the STUDIO for Creative Inquiry, an artist-centered laboratory that supports atypical, interdisciplinary and inter-institutional research at the intersection of art, science, technology and culture, and the Miller Gallery, the university's gallery for contemporary arts. Working as a research fellow and visiting curator, Grover will have access to a wide range of university resources that will enhance her work.
This is the first time both the STUDIO for Creative Inquiry and the Miller Gallery at CMU received this prestigious Andy Warhol Foundation for the Visual Arts grant. Warhol Curatorial Fellowships are designed to encourage original, in-depth research leading to new scholarship in the field of contemporary art. Grants of up to $50,000 are awarded to institutionally affiliated curators twice a year in support of travel, archival research, meetings, interviews and other activities.
Grover says the fellowship will culminate with a group exhibition and publication that examines cross-disciplinary artistic enterprises. In order to produce a publication that can convey the complex efforts underlying many interdisciplinary projects, she will implement a "book sprint," a collective authoring process by collaborators from different areas of expertise who will work together on conceptualizing, planning and publishing a book in one week. Both the exhibition and publication will analyze the benefits and challenges of cross-disciplinary approaches between art and science.
While at Carnegie Mellon, Grover will pursue connections with students and faculty in the arts, science and engineering communities as well as those working in hybrid hubs, such as the Center for the Arts in Society
and the Human-Computer Interaction Institute's Living Environments Lab
. Grover also will evaluate the impact and legacy of mid-20th century artists initiatives, such as the Artist Placement Group in London and the Art and Technology Program in Los Angeles.